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Friday, July 16, 2004

  They Might Be Giants Straighten Their Spine
Well folks, the quirky duo of Johns has finally released their latest album "The Spine", which features 2 tracks off of the previous EP "Indestructible Object" album, Au Contraire and Memo to Human Resources.  These two tracks happen to also be my favorite tracks from the EP, and their inclusion into the tracklist of "The Spine" works in quite well to help the album flow from beginning to end.  The songs, as usual, run the gamut.  The first song, Experimental Film simply rocks, and features a lively jumpy chorus of Johns, one on top, and the other providing a hella cool backup of "Yeaaaaaaaah!"  After a brief but calming Spine interlude, the band then plunges into Memo to Human Resources, a strangely catchy cracked out pop ballad that may represent one of their best songs to date.  
The entire album as a whole is well done, with only a couple of songs that from time to time occasionally miss the mark.   What I mean to say by missing the mark is that at certain times in certain songs, you can definitely hear echoes, even paraphrases of other TMBG lyrical melodies, which is a problem TMBG have had for their past couple of albums.  While these moments are farther in between throughout "The Spine" then on "Mink Car", at times I can't help but feel that despite their efforts to push themselves in different directions, they nearly can't help but be broken back down into their formulaic consistencies.   Still, I can't deny that TMBG still kick major ass in their cracked out kinda way.  Definitely a must buy, especially if you are a fan of the band. 

Gary 11:13 AM

Tuesday, July 13, 2004

  I was all set to write a gushing endorsement of Rhapsody, but the revered reviewer Brian Block beat me to it.

If you don't yet have Rhapsody, check out Brian's extremely well-written review, and then go get it.
Eamon 12:02 AM

Sunday, July 11, 2004

  In my CD player right now...

I just got home from a 90-minute walk/light hike/exploration of my extended backyard in north Berkeley (residential area and public parks around the Rose Garden neighborhood), and the tranquility of that lovely adventure (plus the perfection of today's weather) prompted me to fill my CD player with some equally lovely music:

Rocky Mountain High - John Denver (1972)
Everybody Known this Is Nowhere - Neil Young (1969)
Moondance - Van Morrison (1970)
Songs from a Room - Leonard Cohen (1969)
Meddle - Pink Floyd (1971)

'Cause some evenings you just don't feel like rocking out.

Rebecca C. Brown 7:24 PM

Sunday, July 04, 2004

  Why Ben Folds Rocks Your Face Off

And why Thrice may overthrow the world...

A. Ben Folds

So I spent last Tuesday taking the Metro from work over to the Wolf Trap National Park Theater to watch Rufus Wainwright, Guster and Ben Folds on tour together. I haven't been on speed before, but I suspect that the heart-pounding-in-your-throat-walking-on-the-moon-and-look-ma-no-hands feeling that I had for three hours that night was pretty close.

I didn't get a chance to jot down each artists' set list (although I'm sure you can find it online), but the show really played to the strengths of each set. It seemed that all three were truly fans of each others' music. Each artist showed up for the others' set and they effectively utilized the awesome outdoor acoustics that the venue provides. All in all, 6 men made enough noise to fill a national park for 4 hours. Not a bad average at all.

If you have the opportunity, try to catch these three together. Rufus' voice was absolutely beautiful and lush, and despite being a one man guy for his set, he utilized his full range and played off microphone effects and feedback to give everything the substance a band would have provided. Also, anytime you bring your mom out to be your accompanist you're going to have a positive response. Also, dressing as a cowboy and telling a (largely) conservative audience that you represented the cowboy foreign policy antics of our current president takes some guts. I believe my favorite line of the evening was, "Isn't it a beautiful evening? Man, it's so beautiful out here. And, it's just a shame, it's just too bad that George Bush is going to fuck this country up when it's so beautiful out today." Rock on Rufus.

Guster were high energy, switched up their set list so they played the gamut (from older, more bongo based tunes to their newer, more electric sounds), ran around and of course provided us with the obligatory (and yet always fun) Thundergod solo. This is my second Guster show in the last two years, and they do a wonderful job of keeping the energy level up. Granted, I also really like their music, but I think all in all they're able to vary things enough that it's not a stale experience. While I understand that that's an incredibly low threshold (stale/unstale), Guster are music to get high to, in the manner of OAR, (a little faster than Ben Harper/Jack Johnson and a different feel), so the standard wuss-rock scale cannot apply. It's whether or not enough fun stuff is going on musically and visually to keep you awake and seated when you have the munchies and want a nap.

But of course, the cherry on this musical sundae's top was Ben Folds. There are never enough words to describe him, his style, or the amount of fun you can have when he plays. From jumping around to engaging the audience with choral arrangements to getting old southern gentlemen out of their seats shakin' that thang, Ben knows how to keep his audience on their toes. And, beautifully enough, Guster came out for "Rock This Bitch" in which Ben played drums, Adam from Guster played piano (and maybe broke the chair), Ryan (guster) stuck to keyboards and Brian (guster) stuck to his drum kit. When Ben Folds blows by your town, don't miss him.


B. Thrice

About a month ago, I saw the Get Up Kids, Thrice and Dashboard Confessional at SJ State's event center. Let me just say, when the median audience age is 15 the violence exacted by sexually repressed, testosterone powered young men and women is painful and severe. Let's just also say I wasn't anywhere near the pit and my entire body is still covered in bruises, 5 weeks later.

But on a positive and not as self-absorbed note, I came away from this show a Thrice fan. Let me state for the record, I have not been and never was a Thrice fan. While all my more emo and tortured pseudo-punk friends have raved about Thrice, they just didn't do it for me. However, I am a convert -- consider me born emo again. Seeing these boys live was mind blowing. They really rocked the show, and they sounded so much better than their studio work that not only did I find myself bopping to the beat, I wanted to buy all their albums and maybe foster one of their illegitimate children. The Get Up Kids, as always, were a great popping show. Meanwhile Dashboard (aka Chris Carraba, backed up by lackluster and background hanging band), as always, stands there and looks cute. It's his gimmick. Except his set list was older than my grandfather (a really sweet old guy, really) and altogether unremarkable/unexciting. Please, at least play something interesting and new, and no, I don't mean your single for Spider Man 2.


Also, if you are short on things to read or listen to, I recommend picking up The Believer Magazine's Music Edition (currently out at Moe's, Cody's, and online) and also, I would like to draw your emo attention to Angela Darling, who follow in the production shoes of Conor Oberst while striking a sound somewhere between Elliot Smith and everyobscureindierockbandyoucanthinkof.
Camille 5:51 PM

Saturday, July 03, 2004

  If you'd like to hear a gratuitously Coldplay-influenced composition of mine,

then I strongly suggest "No New Business", recorded with $50 software, downloadable from my site.
Bren 3:49 AM

Studying to: Pet Sounds, The 'Mats

Blog: The Facts Machine

Email: camstar(at)
On Rotation: Elliott Smith

"Too sweet for TV"


Blog: CalJunket

Upcoming Album Releases:
Ani DiFranco - January 20
The Coral - January 27
Moby - February 3
Jonny Greenwood - February 24
The Hives - February 2004
Melissa auf der Maur - February 2004
Garbage - Early 2004
The Vines - Early 2004
The Who - Spring 2004
Wilco - Spring 2004
Beck - Summer 2004
Ben Folds - 2004
Chemical Brothers - 2004
Eels - 2004
Interpol - 2004
PJ Harvey - 2004
Queens Of The Stone Age - 2004
R.E.M. - 2004
U2 - 2004
Coldplay - Late 2004
Paul McCartney - Late 2004
Oasis - Late 2004

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